Independent Publisher

Riverton Press is a publishing house based in Sydney, NSW. We publish poetry, memoir, family history, local history and works in translation.

Mandala, Huichol art, Mexico.

Riverton Press

was founded by Jacqueline Buswell in 2018, and offers publishing and translation services.

Jacqueline is a Sydney-based writer, translator, poet and publisher. She has worked as a journalist and taught English as a foreign language. Jacqueline is a member of the Australian Institute of Interpreters and Translators (AUSIT).

Ginninderra Press published her first book of poetry, Song of a Journeywoman, in 2013.

Her poem City Suite was presented in a concert performance for piano and violin by Duo Deconet in 2015 in Sydney and Canberra.

Publications

Print versions of our titles are available worldwide through PRINT ON DEMAND, and can be ordered at book retail outlets or online. E-book versions for e-book reading devices and for Kindle are also available online. Simply do an online search for the book title / author.

Further information from: info@rivertonpress.com

Latest Blogs

News from Lyn McGettigan

I was a bit productive during the lockdown time and started writing my father’s book. Jack Bewes had written a memoir “Lucky to Be Here” about his experiences as a bomb aimer on Lancasters in WW2. I was lucky enough to have his combat and personal diaries as well as training diaries, newspaper clippings, letters between airmen and social letters. With such a treasure trove of primary material I set about writing the memoir. My aim was to show war from a personal perspective, definitely not a textbook version. I wanted to show the black humour, the mateship, the acceptance of a life that you were only sure you had today. The reality of being in a cold metal plane for eight hours as you flew to a target that consciously or sub-consciously you knew you may not come home from. It might be your letter sitting on your bunk

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Turtle by Yinarr Maramali

Where nothing was before

I try to talk mainly about words and books when I write for Riverton Press, so this comes with a warning: today I’m going to talk about weaving. Soon enough I’ll be telling more about Lyn McGettigan’s new book Lucky to be Here, now in the design process, and about Vittoria Pasquini’s upcoming work, The Legend of Busby, now perfecting its text and translation. It’s not a deviation from theme to talk about weaving: text and textile, line and word count, line and stitch count, not to mention yarn and yarning. It’s the same vocabulary so there must be some connection. In one, structures are made of warp and weft, in the other, they’re based on verb and noun. Just as we might tell you, we’ve published a book, today the news is, I’ve made a basket. When I began, I had in mind a basket big enough to serve

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Journeys in Melbourne

The Melbourne book launch of Journeys and Operation Pedro Pan was all it might have been, with many encounters of friends and colleagues who hadn’t seen each other in ages, and many interesting things to learn about stories told in the books. Real life stories, I’m talking about. The staff of Readings bookshop in Glenferrie Road, Hawthorn were wonderfully welcoming, as were the good people of Melbourne who helped me find my way there on public transport. (I prefer to ask for personal directions, so much more fun than using the phone.) Ralph Newmark of the Department of Spanish & Latin American Studies at the University of Melbourne was our amiable MC, and editors Ruth Adler and Jenny Cooper spoke about compiling and editing Journeys, Australian Women in Mexico. It was great to see them, especially Jenny who had come all the way from Mexico. It was Jenny who co-ordinated

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Three editors to meet again

Journeys, Australian Women in Mexico Edited by Ruth Adler, Jacqueline Buswell and Jenny Cooper Riverton Press, 2021 I think there was perhaps a glass of wine or two in our hands when our book Journeys was born – as one of those ideas that you might or might not do something about. It was December 2017 when we sent out our first convocatoria, our call for writings about experiences of Australian women in Mexico. We started to write our own, and stories, poems and photos slowly began to make a book. We formed an editorial team with members in Mexico, Canberra and Sydney. We produced an interesting and heart-felt book with contributions from very different people, who wrote about experiences in Mexico funny, sinister, exasperating, exotic, loving. We wrote about friends who had been with us in Mexico and have since died. We spent hours in online conversations discussing things

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Who was the translator, did you say?

Riverton Press plans to publish a translated book with the translator’s name on the front cover. It’s not new to have a translator’s name there, but it’s not common either. Probably most translators of books would say they should be recognised as creators of new versions of texts with their name in a prominent place. In this case, we met a translator who said he did not want his name on the book cover. So we’ve had to consider the question. There are a couple of main arguments posed against putting the translator’s name on the front cover of a book, firstly, an imagined or real prejudice by the potential reader against “foreign” works: fear of the foreign will hurt sales. This argument is surprising today, we’re always being encouraged to enjoy our diverse multicultural societies, yet some publishers hide the foreign, assume we don’t like it, and “protect” us

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New books on their way

Riverton Press has two books in the making, one about a house and its people, the other about a bomb aimer with the Australian Air Force in WWII. The first is evidently about life and love, family and friends, yet the other book is too, even while it tells of the aerial bombing of Germany and France. For the only hope of an Australian crew dropping bombs from a Lancaster aircraft would be to survive this mission, live tomorrow, dance and drink tonight, get a letter from home… It’s different to think of the Second World War while this violent sudden Russian invasion of Ukraine continues. Watching old re-runs of Foyle’s War is no longer the simple comfortable consideration of its moral dilemmas. I know wars are always raging, I know I haven’t paid sufficient attention to those in Yemen, Syria, Afghanistan, that the current one is considered shocking by

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